Convergence, Ahead of Print.
Ranting has a bad reputation. But is it always deserved? Online ranting has been alternatively decried for its emotion-laden hostility and praised as a beloved video genre. By exploring a qualitative corpus of YouTube rant videos, this article analyzes how problem-centric rants may serve as forms of proto civic engagement. The article shows that problem-centric rants contribute to emotional public spheres, in which emotions and logic combine to publicize personally-experienced participatory problems and to contribute to civic discourse for others similarly impacted. It reveals the discourse strategies that ranters use to persuade viewers that the site’s policies and the behavior of other participants are complicating self-expression through video. Discourse strategies include counter-balancing criticism with praise, interpellating addressees into a civic public, and focusing criticisms on the powerful. The article contributes to research on social media-based civic engagement and emotional public spheres by analyzing rant videos that expose issues with tech- nologized and commercialized communicative frameworks in digital spaces.
Category Archives: SAGE Publications Ltd: Convergence:
‘I produce songs for her …. In this way, I gradually know her more. The more I know her, the more I like her’: Using Collins’ model of interactive ritual chains to study the case of virtual idol fandom in China
Convergence, Ahead of Print.
In the last decade, virtual idols have become increasingly popular among young people in China with news reports estimating a fan-base of around 300 million and total industry revenues of over $35 billion in 2020 (Bloomberg, 2021). Despite these startling figures, there have been few empirical studies of virtual idol fandom. To address this lacuna, this paper explores the ways in which fans engage with the Chinese virtual idol Luo Tianyi and uses insights from Randall Collin’s (2004) work on Interactive Ritual Chains (IRC) to understand the relationship between digital fan practices and the generation of both emotional responses and a wider sense of solidarity Semi-structured interviews with fans, alongside digital participant observation, indicate the key role fans have to play in promoting their idol, notably when it comes to producing original content designed to raise her profile. It is these activities, in conjunction with gender differences, that are used to define hierarchies within the community, and point to the importance of adopting a more critical perspective in relation to Collins’ original work.
In the last decade, virtual idols have become increasingly popular among young people in China with news reports estimating a fan-base of around 300 million and total industry revenues of over $35 billion in 2020 (Bloomberg, 2021). Despite these startling figures, there have been few empirical studies of virtual idol fandom. To address this lacuna, this paper explores the ways in which fans engage with the Chinese virtual idol Luo Tianyi and uses insights from Randall Collin’s (2004) work on Interactive Ritual Chains (IRC) to understand the relationship between digital fan practices and the generation of both emotional responses and a wider sense of solidarity Semi-structured interviews with fans, alongside digital participant observation, indicate the key role fans have to play in promoting their idol, notably when it comes to producing original content designed to raise her profile. It is these activities, in conjunction with gender differences, that are used to define hierarchies within the community, and point to the importance of adopting a more critical perspective in relation to Collins’ original work.
Book review: Living with algorithms: Agency and user culture in Costa Rica
Convergence, Ahead of Print.
Book review
Convergence, Ahead of Print.
Wikipedia and AI: Access, representation, and advocacy in the age of large language models
Convergence, Ahead of Print.
Wikipedia, despite its volunteer-driven nature, stands as a trustworthy repository of information, thanks to its transparent and verifiable processes. However, Large Language Models (LLMs) often use Wikipedia as a source without acknowledging it, creating a disconnect between users and Wikipedia’s rich framework. This poses a triple threat to information literacy, Wikipedia’s vitality, and the potential for dynamic, updated information. This article explores the interplay between representation, accessibility, and LLMs on Wikipedia, highlighting the importance of preserving Wikipedia as a space for access, representation, and ultimately advocacy in an increasingly LLM-dominated information landscape. This article contends that, despite being over two decades old, Wikipedia remains vital not only for knowledge accumulation but also as a sanctuary for the future of knowledge representation, championing representation and accessibility in the age of closed-system LLMs.
Wikipedia, despite its volunteer-driven nature, stands as a trustworthy repository of information, thanks to its transparent and verifiable processes. However, Large Language Models (LLMs) often use Wikipedia as a source without acknowledging it, creating a disconnect between users and Wikipedia’s rich framework. This poses a triple threat to information literacy, Wikipedia’s vitality, and the potential for dynamic, updated information. This article explores the interplay between representation, accessibility, and LLMs on Wikipedia, highlighting the importance of preserving Wikipedia as a space for access, representation, and ultimately advocacy in an increasingly LLM-dominated information landscape. This article contends that, despite being over two decades old, Wikipedia remains vital not only for knowledge accumulation but also as a sanctuary for the future of knowledge representation, championing representation and accessibility in the age of closed-system LLMs.
Book Review: The perception machine: Our photographic future between the eye and AI
Convergence, Ahead of Print.
Book Review: The Two Revolutions: A History of the Transgender Internet
Convergence, Ahead of Print.
Book Review: Paul Roquet’s The Immersive Enclosure
Convergence, Ahead of Print.
From fan citizenship to ‘fanspiracies’: Politics and participatory cultures in times of crisis?
Convergence, Ahead of Print.
Fan practices and behaviours have increasingly moved beyond fan communities into the political, economic and cultural structures of every day life. The proliferation of social media platforms has allowed both the progressive and reactionary aspects of fandom to converge in the public sphere, drawing on similar techniques, pleasures, and practices in order to interpret the world in a culture where the boundaries between popular and political communication are blurrier than they have ever been. This special issue of Convergence explores the synergies, tensions and conflicts at play in this new cultural terrain. It explores how ‘fan studies can be used to make sense of the seeming growth of conspiracy theory communities and right-wing movements, examines political participation as a form of fandom, and the ways in which social media can be used to organize against discriminatory cultures.
Fan practices and behaviours have increasingly moved beyond fan communities into the political, economic and cultural structures of every day life. The proliferation of social media platforms has allowed both the progressive and reactionary aspects of fandom to converge in the public sphere, drawing on similar techniques, pleasures, and practices in order to interpret the world in a culture where the boundaries between popular and political communication are blurrier than they have ever been. This special issue of Convergence explores the synergies, tensions and conflicts at play in this new cultural terrain. It explores how ‘fan studies can be used to make sense of the seeming growth of conspiracy theory communities and right-wing movements, examines political participation as a form of fandom, and the ways in which social media can be used to organize against discriminatory cultures.
The digitally manipulated family photograph: MyHeritage’s ‘Deep Nostalgia’, and the extended temporality of the photographic image
Convergence, Ahead of Print.
This article examines how the digitally manipulated family photograph functions as a means of understanding the temporal instability of the use and interpretations of photographic images. It begins by taking a close look at scholarly debates on how ‘credible’ the documentary value of a still photograph is, as well as how it is able to emotionally resonate with spectators. From this discussion, it becomes important to look at a key example of how an image can produce an emotional effect on a viewer; in this case, photographs of individuals’ deceased family members. While exploring how this allows the spectator to reconnect with their relatives, it is also crucial to acknowledge that readings of images like these are often determined by reductive interpretations of their stillness. As the consideration of photographs as ‘documents’ has been contested for an extensive amount of time, it is illuminating to turn to the properties of digital photography by inspecting the photo manipulation feature ‘Deep Nostalgia’ on the MyHeritage app that circulated around TikTok in 2021. I look at a YouTube compilation of people reacting to seeing photographs of their family manipulated in a way that gives the impression that they are moving and emoting, alongside discussions about this in recent pop culture articles. By taking a Barthesian reading of the extended temporality of these family photographs, it is important to recognise that the connection between the subject and the image is severed both iconically and indexically from its original context. However, by understanding this photographic image in the context of being digital it must be understood differently. I will therefore use the MyHeritage phenomenon as a means of arguing that the digital image is not inferior to the ‘realism’ of analogue photography and must, instead, be read in relation to the history of technological change.
This article examines how the digitally manipulated family photograph functions as a means of understanding the temporal instability of the use and interpretations of photographic images. It begins by taking a close look at scholarly debates on how ‘credible’ the documentary value of a still photograph is, as well as how it is able to emotionally resonate with spectators. From this discussion, it becomes important to look at a key example of how an image can produce an emotional effect on a viewer; in this case, photographs of individuals’ deceased family members. While exploring how this allows the spectator to reconnect with their relatives, it is also crucial to acknowledge that readings of images like these are often determined by reductive interpretations of their stillness. As the consideration of photographs as ‘documents’ has been contested for an extensive amount of time, it is illuminating to turn to the properties of digital photography by inspecting the photo manipulation feature ‘Deep Nostalgia’ on the MyHeritage app that circulated around TikTok in 2021. I look at a YouTube compilation of people reacting to seeing photographs of their family manipulated in a way that gives the impression that they are moving and emoting, alongside discussions about this in recent pop culture articles. By taking a Barthesian reading of the extended temporality of these family photographs, it is important to recognise that the connection between the subject and the image is severed both iconically and indexically from its original context. However, by understanding this photographic image in the context of being digital it must be understood differently. I will therefore use the MyHeritage phenomenon as a means of arguing that the digital image is not inferior to the ‘realism’ of analogue photography and must, instead, be read in relation to the history of technological change.