Convergence, Ahead of Print.
This article investigates the power of audio as a storytelling medium and its capacity to provide immersive narrative-based experiences. In particular, it examines the potential of immersive or spatial audio to engage young people with the complex and pressing issue of racism by focusing on the artwork [re]locate: a multi-channel sound installation revisiting the racially motivated murder of Stephen Lawrence in 1993. [re]locate metaphorically places the audience at the bus stop where Stephen Lawrence was attacked, and allows them to experience an audio-only reconstruction of events associated with his murder and its aftermath. Based on a reflexive thematic analysis of the qualitative feedback elicited after encounters with the artwork, the article seeks to understand young people’s perspectives on events, their sense of engagement with the story and the aesthetic and technical features of the installation that create a sense of immersion, and induce presence. It argues that the perceived potency of the artwork and its ability to engage young people with the issue not only resides in the inherent qualities of sound, but also in the capacity of the spatial audio design of the installation to heighten the sense of immersion, induce presence and enhance cognitive and emotional perspective taking.
Pluralising critical technical practice
Convergence, Ahead of Print.
In this special issue, we turn to ideas of and approaches to critical technical practices (CTPs) as entry points to doing critique and doing things critically in digitally mediated cultures and societies. We explore the pluralisation of ‘critical technical practice’, starting from its early formulations in the context of AI research and development (Agre, 1997a, 1997b) to the many ways in which it has resonated and been taken up by different publications, projects, groups, and communities of practice, and what is has come to mean. Agre defined CTP as a situational, practical, and constructive way of working: ‘a technical practice for which critical reflection upon the practice is part of the practice itself’ (1997a: XII). Communities of practice in which the notion has been adopted, adapted, and put to use range from human–computer interaction (HCI) to media art and pedagogy, from science and technology studies (STS) and computer-supported cooperative work (CSCW) to digital humanities, media studies and data studies. This special issue affirms the pluralisation of CTP, and serves as an invitation to (re)consider what it means to use this notion drawing on a wider body of work, including beyond Agre. In this introduction, we review and discuss CTPs according to (1) Agre, (2) indexed research, and (3) contributors to this special issue. We conclude with some questions and considerations for those interested in working with this notion.
In this special issue, we turn to ideas of and approaches to critical technical practices (CTPs) as entry points to doing critique and doing things critically in digitally mediated cultures and societies. We explore the pluralisation of ‘critical technical practice’, starting from its early formulations in the context of AI research and development (Agre, 1997a, 1997b) to the many ways in which it has resonated and been taken up by different publications, projects, groups, and communities of practice, and what is has come to mean. Agre defined CTP as a situational, practical, and constructive way of working: ‘a technical practice for which critical reflection upon the practice is part of the practice itself’ (1997a: XII). Communities of practice in which the notion has been adopted, adapted, and put to use range from human–computer interaction (HCI) to media art and pedagogy, from science and technology studies (STS) and computer-supported cooperative work (CSCW) to digital humanities, media studies and data studies. This special issue affirms the pluralisation of CTP, and serves as an invitation to (re)consider what it means to use this notion drawing on a wider body of work, including beyond Agre. In this introduction, we review and discuss CTPs according to (1) Agre, (2) indexed research, and (3) contributors to this special issue. We conclude with some questions and considerations for those interested in working with this notion.
A framework of transmediation
Convergence, Ahead of Print.
The concept of transmediation might be one of the most influential intellectual tools for studying, discussing and fostering innovative phenomena across fields of study. One could argue that the term itself is self-explanatory. Etymologically, it suggests a transition (to go across) between different media but the concept of transmediation has been shaped both by the somewhat historically lax definition of media and the disciplines that have adopted the term. And while the looseness of media gives transmediation a potential for interdisciplinarity, the siloed nature of academic disciplines could have, at the same time, hindered such potential. In this paper, we introduce a framework for transmediation based on an analysis of the use and evolution of the concept and our own explorations over the last few years. This framework aims to provide a common language and a set of conceptual prompts to explore the notion of transmediation further.
The concept of transmediation might be one of the most influential intellectual tools for studying, discussing and fostering innovative phenomena across fields of study. One could argue that the term itself is self-explanatory. Etymologically, it suggests a transition (to go across) between different media but the concept of transmediation has been shaped both by the somewhat historically lax definition of media and the disciplines that have adopted the term. And while the looseness of media gives transmediation a potential for interdisciplinarity, the siloed nature of academic disciplines could have, at the same time, hindered such potential. In this paper, we introduce a framework for transmediation based on an analysis of the use and evolution of the concept and our own explorations over the last few years. This framework aims to provide a common language and a set of conceptual prompts to explore the notion of transmediation further.
Book Review: Passionate Work: Endurance After the Good Life
Convergence, Ahead of Print.
Book review: María José Luzón and Carmen Pérez-Llantada, Digital genres in Academic Knowledge Production and Communication: Perspectives and Practices
Discourse &Communication, Volume 18, Issue 1, Page 149-152, February 2024.
Book review: Alla Tovares and Cynthia Gordon (eds), Identity and Ideology in Digital Food Discourse: Social Media Interactions Across Cultural Contexts
Discourse &Communication, Volume 18, Issue 1, Page 143-146, February 2024.
Digital labor in the state-led/capitalist complex: State labor and playful workaholics in the Chinese digital space
International Journal of Cultural Studies, Ahead of Print.
Contemporary Chinese digital creative industries are no longer a realm of self-entrepreneurship, with multi-channel networks (MCNs) playing a significant role in shaping the digital labor market. This study focuses on the multifaceted Chinese digital labor regimes characterized by capitalism, national agendas, and state regulation. Through a qualitative analysis of 203 recruitment advertisements of major MCNs and 17 interviews of digital laborers, the findings reveal that the digital labor of MCNs operates in a state-led/capitalist complex. Beyond the risks of the capitalist industries, MCNs’ recruitment logic and management align with the state's agenda of economic development. Whether intentionally or not, the digital labor of MCNs has been swept into China's entrepreneurial solutionism, evolving into a form of state labor that integrates creative power and individual entrepreneurship into national building.
Contemporary Chinese digital creative industries are no longer a realm of self-entrepreneurship, with multi-channel networks (MCNs) playing a significant role in shaping the digital labor market. This study focuses on the multifaceted Chinese digital labor regimes characterized by capitalism, national agendas, and state regulation. Through a qualitative analysis of 203 recruitment advertisements of major MCNs and 17 interviews of digital laborers, the findings reveal that the digital labor of MCNs operates in a state-led/capitalist complex. Beyond the risks of the capitalist industries, MCNs’ recruitment logic and management align with the state's agenda of economic development. Whether intentionally or not, the digital labor of MCNs has been swept into China's entrepreneurial solutionism, evolving into a form of state labor that integrates creative power and individual entrepreneurship into national building.
Identity in crisis: Power, agency, and subjugation in the small stories of the Moroccan diaspora in Spain
Discourse &Society, Volume 35, Issue 2, Page 243-263, March 2024.
Research regarding migrant discourse and identities has recently focused on how migrants construct identities in narratives. However, these identities may be difficult to navigate as migrants encounter different linguistic and cultural practices as well as discrimination in their new home countries. In Spain, Moroccan migrants are framed as ‘outsiders’ and may experience discrimination because of their identities. In the current study, I examine how Moroccan immigrants living in Granada, Spain manage positions of agency and constraint in small story narratives to construct their identities. I argue that Moroccan immigrants may reinscribe positions of power and authority in service of their own agency positions which may constrain the agency of other migrants. More research must be conducted to determine the role of broader structures and dominant discourses that make such subjugation necessary for migrant identity negotiation.
Research regarding migrant discourse and identities has recently focused on how migrants construct identities in narratives. However, these identities may be difficult to navigate as migrants encounter different linguistic and cultural practices as well as discrimination in their new home countries. In Spain, Moroccan migrants are framed as ‘outsiders’ and may experience discrimination because of their identities. In the current study, I examine how Moroccan immigrants living in Granada, Spain manage positions of agency and constraint in small story narratives to construct their identities. I argue that Moroccan immigrants may reinscribe positions of power and authority in service of their own agency positions which may constrain the agency of other migrants. More research must be conducted to determine the role of broader structures and dominant discourses that make such subjugation necessary for migrant identity negotiation.
Mining misinformation discourse on social media within the ‘ideological square’
Discourse &Society, Ahead of Print.
A considerable flow of information and news stories are being exchanged on social media in several parts of the world. A significant number of news stories are fake and are published to serve certain purposes and ideologies. The present study examines how Arab social media users respond to fake news in Arabic in reference to van Dijk’s concept of the ideological square. A dataset of fake news was collected from Twitter, now X platform, comprising tweets on various events. After preprocessing, a topic-modeling algorithm was applied to the dataset to reveal its latent aspects. Instances of the featured topics in the dataset were then analyzed in accordance with the sociocognitive approach to critical discourse analysis. The findings demonstrate that fake news was leveraged to promote ideological struggle between social groups. Some social media users may interact with misinformation without evaluating its credibility and, therefore, express ideologically loaded beliefs for or against the subject matter of the news story. Fake news stories were also exploited for business and marketing. Misinformation’s discourse structure involves ideological polarization, self-identification and goal-description, and violates norms and values. The discursive structure and strategies revolve around the ideological square.
A considerable flow of information and news stories are being exchanged on social media in several parts of the world. A significant number of news stories are fake and are published to serve certain purposes and ideologies. The present study examines how Arab social media users respond to fake news in Arabic in reference to van Dijk’s concept of the ideological square. A dataset of fake news was collected from Twitter, now X platform, comprising tweets on various events. After preprocessing, a topic-modeling algorithm was applied to the dataset to reveal its latent aspects. Instances of the featured topics in the dataset were then analyzed in accordance with the sociocognitive approach to critical discourse analysis. The findings demonstrate that fake news was leveraged to promote ideological struggle between social groups. Some social media users may interact with misinformation without evaluating its credibility and, therefore, express ideologically loaded beliefs for or against the subject matter of the news story. Fake news stories were also exploited for business and marketing. Misinformation’s discourse structure involves ideological polarization, self-identification and goal-description, and violates norms and values. The discursive structure and strategies revolve around the ideological square.
Constructing ambivalent masculinity and constant femininity in interracial families: Media representations of African-Chinese marriage on Xiaohongshu
Discourse &Communication, Ahead of Print.
Interracial marriage has increasingly gained visibility on Chinese social media platforms, especially African-Chinese marriage which has been popularly represented, sparking heated discussions publically. However, although several studies have touched upon interracial marriage with analyses through political and geographical lenses, few studies investigated the media representations and mediated comments towards African-Chinese marriage in China as it has become a hot topic on Chinese social media platforms recently. To fill this niche, this study explores how African-Chinese marriage is represented on Chinese social media through mediated public comments, and what ideological implication of represented subjectivity of male and female in African-Chinese marriage. Through feminist critical discourse analysis and intersectional perspective, it found that ambivalent masculinity and constant femininity are constructed in African-Chinese marriage through comments where Chinese males are predominantly represented as positive figures, while African men are greatly dehumanised and criticised. As for women, although public attitudes are distinctive towards Chinese and African women, they, sharing the collective identity of females, are restricted in the traditional conception of gender dichotomy. Finally, the social contextualisation of such representations and potential ideological implications will be generally discussed.
Interracial marriage has increasingly gained visibility on Chinese social media platforms, especially African-Chinese marriage which has been popularly represented, sparking heated discussions publically. However, although several studies have touched upon interracial marriage with analyses through political and geographical lenses, few studies investigated the media representations and mediated comments towards African-Chinese marriage in China as it has become a hot topic on Chinese social media platforms recently. To fill this niche, this study explores how African-Chinese marriage is represented on Chinese social media through mediated public comments, and what ideological implication of represented subjectivity of male and female in African-Chinese marriage. Through feminist critical discourse analysis and intersectional perspective, it found that ambivalent masculinity and constant femininity are constructed in African-Chinese marriage through comments where Chinese males are predominantly represented as positive figures, while African men are greatly dehumanised and criticised. As for women, although public attitudes are distinctive towards Chinese and African women, they, sharing the collective identity of females, are restricted in the traditional conception of gender dichotomy. Finally, the social contextualisation of such representations and potential ideological implications will be generally discussed.