Discourse &Society, Ahead of Print.
A discursive study of parents’ identity construction in Chinese wedding ceremony
Discourse &Society, Volume 35, Issue 2, Page 264-279, March 2024.
This paper aims to investigate the categories, strategies, and cultural driving forces behind identity constructions of parents in Chinese weddings, by examining naturally occurring wedding speeches in popular short video and audio-visual platforms. The results reveal that, first, parents as the speechmaker mainly construct the emotion-oriented personal identity, connection-built relational identity, and sociality-driven interactional identity; second, these identities are primarily constructed through the usage of vocatives, personal indexicals, metaphors, and speech acts (e.g. expressives, declaratives, directives, and commisives). Additionally, the identity construction of parents is deeply motivated by ‘Li’ as a set of ethical norms in Chinese culture.
This paper aims to investigate the categories, strategies, and cultural driving forces behind identity constructions of parents in Chinese weddings, by examining naturally occurring wedding speeches in popular short video and audio-visual platforms. The results reveal that, first, parents as the speechmaker mainly construct the emotion-oriented personal identity, connection-built relational identity, and sociality-driven interactional identity; second, these identities are primarily constructed through the usage of vocatives, personal indexicals, metaphors, and speech acts (e.g. expressives, declaratives, directives, and commisives). Additionally, the identity construction of parents is deeply motivated by ‘Li’ as a set of ethical norms in Chinese culture.
Mapping globalised Chinese webnovels: Genre blending, cultural hybridity, and the complexity of transcultural storytelling
International Journal of Cultural Studies, Ahead of Print.
Recent years have seen a significant surge in the global popularity of Chinese webnovels as an emerging form of participatory transcultural storytelling. This research combines computational and interpretive textual analysis to map the cultural features embedded in webnovel content, aiming to identify the genre elements, common lexicon, and story themes of 4040 translated Chinese webnovels on global platforms. The analysis shows the hybridisation of Chinese cultures, digital cultures, and genre fiction elements in webnovel storytelling, contributing to the growing spectrum of diverse voices in international self-publishing. Simultaneously, webnovels depict a varied mosaic of imagined China, based on both cultural sharing and nonsharing within today's complex Chinese society and beyond the notion of ‘Chineseness’ rooted in common heritage or official values, amplifying diverse perspectives like subcultures and resistances in transcultural storytelling. While webnovels bear witness to China's cultural outreach and digital prowess converging in a new storytelling form, this research posits that their cultural production remains bound within a material process where borderless digital cultures collide with the imposed boundaries of platformed publishing and government control.
Recent years have seen a significant surge in the global popularity of Chinese webnovels as an emerging form of participatory transcultural storytelling. This research combines computational and interpretive textual analysis to map the cultural features embedded in webnovel content, aiming to identify the genre elements, common lexicon, and story themes of 4040 translated Chinese webnovels on global platforms. The analysis shows the hybridisation of Chinese cultures, digital cultures, and genre fiction elements in webnovel storytelling, contributing to the growing spectrum of diverse voices in international self-publishing. Simultaneously, webnovels depict a varied mosaic of imagined China, based on both cultural sharing and nonsharing within today's complex Chinese society and beyond the notion of ‘Chineseness’ rooted in common heritage or official values, amplifying diverse perspectives like subcultures and resistances in transcultural storytelling. While webnovels bear witness to China's cultural outreach and digital prowess converging in a new storytelling form, this research posits that their cultural production remains bound within a material process where borderless digital cultures collide with the imposed boundaries of platformed publishing and government control.
The platformisation of software development: Connective coding and platform vernaculars on GitHub
Convergence, Ahead of Print.
This article contributes to recent scholarship on platform, software and media studies by critically engaging with the ‘social coding’ platform GitHub, one of the most prominent actors in the online proprietary and F/OSS (free and/or open-source software) code hosting space. It examines the platformisation of software and project development on GitHub by combining institutional and cultural analysis. The institutional analysis focuses on critically examining the platform from a material-economic perspective to understand how it configures contemporary software and project development work. It proposes the concept of ‘connective coding’ to characterise how software intermediaries such as GitHub configure, valorise and capitalise on public repositories, developer and organisation profiles. This institutional perspective is complemented by a case study analysing cultural practices mediated by the platform. The case study examines the platform vernaculars of news media and journalism initiatives highlighted by Source, a key publication in the newsroom software development space, and how GitHub modulates visibility in this space. It finds that the high-visibility platform vernacular of this news media and journalism space is dominated by a mix of established actors such as the New York Times, the Guardian and Bloomberg, as well as more recent actors and initiatives such as ProPublica and Document Cloud. This high-visibility news media and journalism platform vernacular is characterised by multiple F/OSS and F/OSS-inspired practices and styles. Finally, by contrast, low-visibility public repositories in this space may be seen as indicative of GitHub’s role in facilitating various kinds of ‘post-F/OSS’ software development cultures.
This article contributes to recent scholarship on platform, software and media studies by critically engaging with the ‘social coding’ platform GitHub, one of the most prominent actors in the online proprietary and F/OSS (free and/or open-source software) code hosting space. It examines the platformisation of software and project development on GitHub by combining institutional and cultural analysis. The institutional analysis focuses on critically examining the platform from a material-economic perspective to understand how it configures contemporary software and project development work. It proposes the concept of ‘connective coding’ to characterise how software intermediaries such as GitHub configure, valorise and capitalise on public repositories, developer and organisation profiles. This institutional perspective is complemented by a case study analysing cultural practices mediated by the platform. The case study examines the platform vernaculars of news media and journalism initiatives highlighted by Source, a key publication in the newsroom software development space, and how GitHub modulates visibility in this space. It finds that the high-visibility platform vernacular of this news media and journalism space is dominated by a mix of established actors such as the New York Times, the Guardian and Bloomberg, as well as more recent actors and initiatives such as ProPublica and Document Cloud. This high-visibility news media and journalism platform vernacular is characterised by multiple F/OSS and F/OSS-inspired practices and styles. Finally, by contrast, low-visibility public repositories in this space may be seen as indicative of GitHub’s role in facilitating various kinds of ‘post-F/OSS’ software development cultures.
The different worlds of Google – A comparison of search results on conspiracy theories in 12 countries
Convergence, Ahead of Print.
Search engines play an important role in the spread of disinformation and conspiracy theories, accentuating the power of global platform companies such as Google to contribute to the digital (information) divide by providing search results of lesser quality in certain countries. We investigated this phenomenon by asking what kind of results users see when they search for information on eleven popular conspiracy theories (CTs) via Google. We analysed links from Google search results (N = 1259) in 12 Western and non-Western countries and 10 languages. Overall, users are more likely to encounter neutral or debunking content when using Google to search for prominent CTs. However, for some CTs, strong country differences in the quality of search results emerge, showing clear correlations between categorical inequalities and unequal access to reliable information. In countries where journalists enjoy less freedom, people enjoy fewer democratic rights and are less able to rely on social elites, Google also provides less enlightening content on CTs than in developed and prosperous democracies. The countries thus disadvantaged are precisely those countries where there is a high propensity to believe in CTs according to comparative survey research. However, in countries where a global language is spoken, for example, English or Portuguese, there is no correlation between structural, country-specific factors and the quality of search results. In this sense, structurally disadvantaged countries seem to benefit from belonging to a larger language community.
Search engines play an important role in the spread of disinformation and conspiracy theories, accentuating the power of global platform companies such as Google to contribute to the digital (information) divide by providing search results of lesser quality in certain countries. We investigated this phenomenon by asking what kind of results users see when they search for information on eleven popular conspiracy theories (CTs) via Google. We analysed links from Google search results (N = 1259) in 12 Western and non-Western countries and 10 languages. Overall, users are more likely to encounter neutral or debunking content when using Google to search for prominent CTs. However, for some CTs, strong country differences in the quality of search results emerge, showing clear correlations between categorical inequalities and unequal access to reliable information. In countries where journalists enjoy less freedom, people enjoy fewer democratic rights and are less able to rely on social elites, Google also provides less enlightening content on CTs than in developed and prosperous democracies. The countries thus disadvantaged are precisely those countries where there is a high propensity to believe in CTs according to comparative survey research. However, in countries where a global language is spoken, for example, English or Portuguese, there is no correlation between structural, country-specific factors and the quality of search results. In this sense, structurally disadvantaged countries seem to benefit from belonging to a larger language community.
#MournHub and @GrieveWatch: Mediating monarchy and mourning in the digital age
International Journal of Cultural Studies, Ahead of Print.
Queen Elizabeth II's death in September 2022 prompted a predictable saturation of representations across all UK media. A lot of ‘traditional’ media, like the BBC, largely assumed, and hence attempted to reproduce, a hegemonic and unified response of national mourning. But some social media representations exposed a struggle over meaning, displaying ambivalence or even outright negativity towards the British monarchy and ‘national’ mourning practices. This article uses #MournHub and @GrieveWatch as two critical case studies to explore the complex meanings of the Queen's death across different communities and spaces. Doing so, this article illuminates the ambivalences of ‘national’ mourning, the intersectionality of class, race and national identity in shaping the tenor of people's responses to the Queen's death, the commercialisation and corporatisation of memorialising death and nationhood, the changing forms of royal mediations, and the careful staging of royal events.
Queen Elizabeth II's death in September 2022 prompted a predictable saturation of representations across all UK media. A lot of ‘traditional’ media, like the BBC, largely assumed, and hence attempted to reproduce, a hegemonic and unified response of national mourning. But some social media representations exposed a struggle over meaning, displaying ambivalence or even outright negativity towards the British monarchy and ‘national’ mourning practices. This article uses #MournHub and @GrieveWatch as two critical case studies to explore the complex meanings of the Queen's death across different communities and spaces. Doing so, this article illuminates the ambivalences of ‘national’ mourning, the intersectionality of class, race and national identity in shaping the tenor of people's responses to the Queen's death, the commercialisation and corporatisation of memorialising death and nationhood, the changing forms of royal mediations, and the careful staging of royal events.
Workers’ right to the subject: The social relations of data production
Convergence, Ahead of Print.
The use of data to profile and make decisions about data subjects for citizenship, targeted advertising, job recruitment and other reasons, has been eminently normalised, which is an emerging threat to protected spaces for personal subjectivation and identity formation. The ‘right to the subject’; or to agency via personal subject formation outside bilateral profiling; is at stake. This is especially true for workers. Algorithmic management infused with worker control mechanisms occurs in structurally and objectively unequal conditions within subjective, and unequal, social relations. Data harms protections in European privacy and data protection law, despite being heralded as the strongest in the world, are insufficient to protect workers’ right to the subject. Indeed, structural features of inequality within the capitalist data political economy mean that workers experience different power relations to consumers and citizens. Analysing the social relations surrounding policy features of ‘consent’, and ‘risk’, with focus on the General Data Protection Regulation (GDPR) and the negotiations for the AI Act, it is not difficult to see that these policies do not protect all data subjects’ rights to the subject identically. Indeed, workers never have the capacity to truly consent at work; and the risks workers face are different from that of other data subjects, such as consumers. Data subjects do not, across categories, have equal access to equality, within, and because of, the social relations of data production. From a cross-disciplinary perspective and with contributions to sociology, critical theory, media and policy studies, this article argues that workers’ right to the subject is at stake, in datafied social relations.
The use of data to profile and make decisions about data subjects for citizenship, targeted advertising, job recruitment and other reasons, has been eminently normalised, which is an emerging threat to protected spaces for personal subjectivation and identity formation. The ‘right to the subject’; or to agency via personal subject formation outside bilateral profiling; is at stake. This is especially true for workers. Algorithmic management infused with worker control mechanisms occurs in structurally and objectively unequal conditions within subjective, and unequal, social relations. Data harms protections in European privacy and data protection law, despite being heralded as the strongest in the world, are insufficient to protect workers’ right to the subject. Indeed, structural features of inequality within the capitalist data political economy mean that workers experience different power relations to consumers and citizens. Analysing the social relations surrounding policy features of ‘consent’, and ‘risk’, with focus on the General Data Protection Regulation (GDPR) and the negotiations for the AI Act, it is not difficult to see that these policies do not protect all data subjects’ rights to the subject identically. Indeed, workers never have the capacity to truly consent at work; and the risks workers face are different from that of other data subjects, such as consumers. Data subjects do not, across categories, have equal access to equality, within, and because of, the social relations of data production. From a cross-disciplinary perspective and with contributions to sociology, critical theory, media and policy studies, this article argues that workers’ right to the subject is at stake, in datafied social relations.
Salad Fingers: Pre-YouTube digital uncanny and the ‘weird’ future of animation
Convergence, Ahead of Print.
In 2004, artist David Firth launched the lo-fi animation Salad Fingers in the user-generated content sharing platform Newgrounds. The series, focused on a strange, unsettling narrative about a character that acts as a child but commits unhinged violent acts, went on to become viral in the earliest days of YouTube. Created with the software Flash (launched by Macromedia and then acquired by Adobe), which generates vector images, Salad Fingers is a significant stylistic and generic contribution to the early period of participatory digital cultures. The series operates as a bridge between analogue and digital artforms that privilege the sensorial over narrative cohesion, while also cultivating a distinctive ‘uncanny-weird’ mode tied to early participatory digital cultures, trends that perdure in contemporary animation. We articulate how Salad Fingers operates in the distinctive ‘digital uncanny’, an aesthetic and cultural mode that would become pervasive in visual media cultures on YouTube and beyond.
In 2004, artist David Firth launched the lo-fi animation Salad Fingers in the user-generated content sharing platform Newgrounds. The series, focused on a strange, unsettling narrative about a character that acts as a child but commits unhinged violent acts, went on to become viral in the earliest days of YouTube. Created with the software Flash (launched by Macromedia and then acquired by Adobe), which generates vector images, Salad Fingers is a significant stylistic and generic contribution to the early period of participatory digital cultures. The series operates as a bridge between analogue and digital artforms that privilege the sensorial over narrative cohesion, while also cultivating a distinctive ‘uncanny-weird’ mode tied to early participatory digital cultures, trends that perdure in contemporary animation. We articulate how Salad Fingers operates in the distinctive ‘digital uncanny’, an aesthetic and cultural mode that would become pervasive in visual media cultures on YouTube and beyond.
House-sharing as a staged and mediated practice: Representing self and home in Melbourne share-houses
International Journal of Cultural Studies, Volume 27, Issue 2, Page 268-287, March 2024.
This article considers how house-sharing – sharing a home with other, usually unrelated people – is mediated by digital technologies. Drawing on academic literature on house-sharing and self-(re)presentation in digital cultures, interviews with share-house residents in Melbourne, Australia, and user posts in house-sharing groups on Facebook, we identify a sequence of steps and stages integral to the process of (re)forming a share-house in the competitive private rental market. These include advertising, screening, vetting, digital interactions, interviews and house tours. Considering this multi-stage process from the dual perspective of ‘home-seekers’ (applicants) and ‘housemate-seekers’ (existing household), we analyse how both parties deploy representational and communicative strategies, explore the conventions and complexities underpinning these interactions, and present a conceptual framework that explicates the process. The article contributes to scholarly debates about mediated practices of self-(re)presentations, and about house-sharing as a significant practice in a housing market that renders home ownership increasingly unaffordable.
This article considers how house-sharing – sharing a home with other, usually unrelated people – is mediated by digital technologies. Drawing on academic literature on house-sharing and self-(re)presentation in digital cultures, interviews with share-house residents in Melbourne, Australia, and user posts in house-sharing groups on Facebook, we identify a sequence of steps and stages integral to the process of (re)forming a share-house in the competitive private rental market. These include advertising, screening, vetting, digital interactions, interviews and house tours. Considering this multi-stage process from the dual perspective of ‘home-seekers’ (applicants) and ‘housemate-seekers’ (existing household), we analyse how both parties deploy representational and communicative strategies, explore the conventions and complexities underpinning these interactions, and present a conceptual framework that explicates the process. The article contributes to scholarly debates about mediated practices of self-(re)presentations, and about house-sharing as a significant practice in a housing market that renders home ownership increasingly unaffordable.
Lexico-grammatical Analysis of Media Representation of Men in Rape Coverage
Journal of Creative Communications, Ahead of Print.
This study seeks to examine the representation of men in rape coverage produced by Thai media. The analysis is theoretically triangulated between Biber et al.’s markers of stance and Mellado’s journalistic role performance. Methodologically, corpus-assisted discourse analysis is adopted. The corpus consists of 167 news articles with a total number of 126,150 words. The period of publication ranges from 2007 to 2022. Findings indicate that male perpetrators are discursively vilified through discourse structures which signify augmented agency to inflict harm upon victims. To illustrate, the lexical item rape is made to occur simultaneously with other material verb processes which intensify an act of violence such as bludgeon and kill. In contrast, the agency of male victims is downplayed. This is evidenced in the fact that their voice is expressed through other parties such as witnesses and NGO officers instead of emanating from the victims themselves. Possible ways to humanise the representation are discussed.
This study seeks to examine the representation of men in rape coverage produced by Thai media. The analysis is theoretically triangulated between Biber et al.’s markers of stance and Mellado’s journalistic role performance. Methodologically, corpus-assisted discourse analysis is adopted. The corpus consists of 167 news articles with a total number of 126,150 words. The period of publication ranges from 2007 to 2022. Findings indicate that male perpetrators are discursively vilified through discourse structures which signify augmented agency to inflict harm upon victims. To illustrate, the lexical item rape is made to occur simultaneously with other material verb processes which intensify an act of violence such as bludgeon and kill. In contrast, the agency of male victims is downplayed. This is evidenced in the fact that their voice is expressed through other parties such as witnesses and NGO officers instead of emanating from the victims themselves. Possible ways to humanise the representation are discussed.