Studies in History, Volume 39, Issue 2, Page 199-238, August 2023.
This paper argues that contrary to some popular perceptions, the ideological shift in Iqbal dates not from 1930 (when he apparently moved towards the acceptance of the two-nation theory at the Allahabad Session of the Muslim League) but to his stay in Europe from 1905 to 1908 (after which he made a complete and abrupt shift from Indian nationalism to revivalism and Pan-Islamism). This shift is powerfully expressed in the political and cultural imaginings of both his Urdu and Persian poetry. His poetry becomes suffused with the ideas of revivalism and Pan-Islamism in counter-position to those of composite nationhood and territorial nationalism on which the Indian national movement was premised. The shift is embodied in poetic imagery and metaphor incompatible with the modern idea of nationalism, especially the dominant idea of Indian nationalism. Iqbal’s later thoughts concerning Islam’s relations with non-Muslims in India and elsewhere promote an adversarial historical and cultural narrative of Islam.Though triggered by a passionate rejection of the West and its modernity, the shift manifested not just in a critique of the West but also of all non-Islamic cultures and civilizations. Iqbal’s narrative of Islam is teleological and triumphalist. Far from being defensive about the charges of intolerance and aggression levelled against Islam by its critics, he proudly invokes imagery of the sword and the conquest in the history of Islam, while bemoaning the decline of its political power in the modern era. Iqbal’s quest is for a supposedly pure Islam of the past and its revival in the twentieth century in the form of a redefined, reconstituted and revitalized Umma which cuts across boundaries of nations, continents and ethnicities. Few poets in the history of the modern world have had such influence as Allama Iqbal, and fewer still have made such fundamental shifts.
Author Archives: Ravi K. Mishra
Nationalism, Revivalism and Pan-Islamism: Shifts in the Political and Cultural Imaginings of Allama Iqbal’s Poetry
Studies in History, Volume 39, Issue 2, Page 199-238, August 2023.
This paper argues that contrary to some popular perceptions, the ideological shift in Iqbal dates not from 1930 (when he apparently moved towards the acceptance of the two-nation theory at the Allahabad Session of the Muslim League) but to his stay in Europe from 1905 to 1908 (after which he made a complete and abrupt shift from Indian nationalism to revivalism and Pan-Islamism). This shift is powerfully expressed in the political and cultural imaginings of both his Urdu and Persian poetry. His poetry becomes suffused with the ideas of revivalism and Pan-Islamism in counter-position to those of composite nationhood and territorial nationalism on which the Indian national movement was premised. The shift is embodied in poetic imagery and metaphor incompatible with the modern idea of nationalism, especially the dominant idea of Indian nationalism. Iqbal’s later thoughts concerning Islam’s relations with non-Muslims in India and elsewhere promote an adversarial historical and cultural narrative of Islam.Though triggered by a passionate rejection of the West and its modernity, the shift manifested not just in a critique of the West but also of all non-Islamic cultures and civilizations. Iqbal’s narrative of Islam is teleological and triumphalist. Far from being defensive about the charges of intolerance and aggression levelled against Islam by its critics, he proudly invokes imagery of the sword and the conquest in the history of Islam, while bemoaning the decline of its political power in the modern era. Iqbal’s quest is for a supposedly pure Islam of the past and its revival in the twentieth century in the form of a redefined, reconstituted and revitalized Umma which cuts across boundaries of nations, continents and ethnicities. Few poets in the history of the modern world have had such influence as Allama Iqbal, and fewer still have made such fundamental shifts.
This paper argues that contrary to some popular perceptions, the ideological shift in Iqbal dates not from 1930 (when he apparently moved towards the acceptance of the two-nation theory at the Allahabad Session of the Muslim League) but to his stay in Europe from 1905 to 1908 (after which he made a complete and abrupt shift from Indian nationalism to revivalism and Pan-Islamism). This shift is powerfully expressed in the political and cultural imaginings of both his Urdu and Persian poetry. His poetry becomes suffused with the ideas of revivalism and Pan-Islamism in counter-position to those of composite nationhood and territorial nationalism on which the Indian national movement was premised. The shift is embodied in poetic imagery and metaphor incompatible with the modern idea of nationalism, especially the dominant idea of Indian nationalism. Iqbal’s later thoughts concerning Islam’s relations with non-Muslims in India and elsewhere promote an adversarial historical and cultural narrative of Islam.Though triggered by a passionate rejection of the West and its modernity, the shift manifested not just in a critique of the West but also of all non-Islamic cultures and civilizations. Iqbal’s narrative of Islam is teleological and triumphalist. Far from being defensive about the charges of intolerance and aggression levelled against Islam by its critics, he proudly invokes imagery of the sword and the conquest in the history of Islam, while bemoaning the decline of its political power in the modern era. Iqbal’s quest is for a supposedly pure Islam of the past and its revival in the twentieth century in the form of a redefined, reconstituted and revitalized Umma which cuts across boundaries of nations, continents and ethnicities. Few poets in the history of the modern world have had such influence as Allama Iqbal, and fewer still have made such fundamental shifts.